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Our Place in This Zeitgeist (part 3)

Wow... The Red Sox are going back to the World Series for the 2nd time in 4 years. My very first year here in Boston, the then "Idiots" beat the Yankees in the ALCS, coming from behind with a 0-3 deficit & starting from the 4th game of that series, they went on to win 8 in a row (sweeping the Cardinals in the WS afterwards) to give the city of Boston its first title since 1918. It was nuts... The entire city went crazy, as the Sox actually took the trophy in St. Louis, but I was among the thousands that poured onto the streets of Boston to chant and holler at Fenway Park that night right across from facing a couple of hundred riot police. My god it was exhilarating then, but I have to say, whenever it happens, it never gets old. Papelbon gettin' excited!!!My folks now live in Cleveland, and my father is a HUGE Indians fan (I'm sure he's having an ulcer today, as his beloved Tribe came so close, again). My mom used to hem Kenny Lofton's suits when he would bring them down to her store, which was located in the same building he was staying in, back in the olden days when Kenny used to play for the tribe. Those guys on the tribe though, played SO well right down to the last minute, and come on, seriously, when you're a young team like that and you get to the 7th game of the championship series, having led as much as 3 games to 1, then giving up the next 3 to lose the series, it's gotta be tough. However...this team will prevail again. I'm sure of it. Their core is made up of tough, young guys who play the game with a lot of class as we've all seen the last two weeks and they are the future of baseball.

As the Red Sox are headed back to the World Series, and will be hosting the Colorado Rockies (who have won a ridiculous 21 of their 22 games to get there) for the first game on Wednesday the 24th, I'll be watching the game out in Colorado. With a busy last week having played 4 consecutive concerts with the Boston Philharmonic, and as AFC's rehearsals have resumed, I got to watch only last night's game in its entirety. And as Boston and Colorado are playing for the final glory, I go back to my former neighborhood to see old friends and also to make some music. Just ironic though, that these 2 teams are in the autumnal classic, because all my friends in Boulder, watched me scream in agony in 2003, when the Red Sox were losers in the very same American League Championship Series against the New York Yankees, losing in the final decisive game 7. I probably will never forget what it felt like to see Aaron Boone's home run that last game, but in retrospect, it was all just the beginning of (perhaps...knock on wood) a dynasty not too dissimilar from when Boston celebrated its 3 titles in the 1915-1918 stretch.

One of the news anchors last night talked about how their kids won't know the pain in waiting for their team to get to the World Series, as it is now the 2nd time in the last 4 years, that they think, this happens all the time. A thwarted generation gap. My friend Jake's grandfather never got to see his Boston team participate in the final dance before he passed away, and that was the norm around here for a long while. Something is in the air in Boston these few years. Not that sports define the era of a city (though so many of the times, it would seem that way), but there is an energy here I've not quite felt in the other places I've had the fortune of making a home. And I am grateful for being Here in the Now, and it is so very exciting. We can officially now say that A Far Cry was founded on the year that the Boston Red Sox made its second trip to the World Series in 89 years.

Baseball is a team sport, and playing in an orchestra of 16, I always see the comparisons of the team work, as one can in both fields. Though my baseball career never quite took off like my violin chops, but never the less, it is all the more important to achieve something greater as a team than the individual glory, allowing that unified voice to become a visceral force. And we all work so hard at it...My team or Manny's. If I had to give a shout out to anyone though, in this year's trip to the World Series run for the Red Sox, it would have to be the manager, Terry Francona. Tito, as everyone around here calls him, never quit believing in his players, in the time when they were slumping, dropping balls, giving up runs, he stuck with those guys to quietly give them their confidence back, and to display the kind of loyalty that is rarely seen in such a high profile business like baseball. That trust is where the real love comes through to enliven our days, and these sweet victories get Jonathan Papelbon dancing without a care in the world at 2am in the morning.

Our Place in This Zeitgeist (part 2)

With part 1 of this installment just written yesterday, I wake up this morning and find out that Radiohead (the flagship artists of our generation) has just officially changed the recorded music industry forever. Not that other great artists big and small have not been doing this for a few years, but it is by the token of their sheer fan base that reaches into the millions easily, and by the pure artistic output that these musicians have proven their worth in a place in modern music history. I will be forever thrilled for today, that this band whom I've now seen twice give performances that have radiohead1generated goose bumps from the beginning to end of their set, has done the equivalent of what the character, Tyler  Durden in the 1999 movie "Fight Club" did in the last minutes looking over the demolition of the credit card industry. I've been saying it over and over again. It is not about the money. Money is a commodity that will always change hands, and with such examples of today, the door will now wide open for artists who have more to say ON STAGE being musicians, and to become the voice of reason for the audience of the now and the future. Found a really insightful blog about the events of today, and without a doubt feeling that bigger things are just around the corner. A Far Cry salutes you, Thom York & Company. Who says an outfit like A Far Cry can't be the opening act for a band like Radiohead?

The JP Community

This evening Megumi, Frank, Jae, and I all went to the Neighbors for Neighbors Fall Community Organizing Expo. Somewhere around 45 JP-based nonprofits, social organizations, and causes were represented, and A Far Cry joined the ranks with a table displaying info about our upcoming concerts and our mission, making lots of friends in the process. For the uninitiated, JP stands for Jamaica Plain, which is a neighborhood of Boston southwest of downtown. JP is becoming THE place to live in Boston for artists, musicians, social workers, and interesting people of all ages! Nearly all of the Criers live in JP - I myself moved here just a few months ago. Wandering around checking out the other booths was incredibly inspiring. There is so much energy and so much enthusiasm out there - people really want to do good, and are in fact doing good. A Far Cry was proud to be part of an incredible evening made up of people who don't just talk - they do!

Our Place in This Zeitgeist (part 1)

I had a busy summer of traveling to play concerts, see a couple of old friends tie the knot, make the requisite visit with my family, and went back to Korea for the first time in almost 5 years, the place where I was born and spent 10 of my youthful years. This whole time I have been working on another blog piece to put on the website, but realized I just had too much to say about the subject. I started the piece initially, as a concert review of the Canadian indie rock bands, Memphis and Apostle of Hustle after seeing their show in Boston back in June (They are both amazing bands, with Jae with Torq of Memphis (& Stars)charismatic live shows). I got to meet the members of Memphis after the show and had a chance to talk to them about a few ideas that I'd been brainstorming over the last months since the start of A Far Cry. Not that I was surprised, but non the less impressed, when they did have a lot to say about the subject of a melding point between Art music and Pop music, with more knowledge than most of their own concert going audience about classical music, citing examples from Beethoven symphonies to Puccini operas. Rewrite after rewrite, I could not stick to the subject and found myself drifting into multiple issues and tying them into my personal account as a performing musician, also as an observer of the present classical music business, and as a fan of indie rock and what it stands for. So after weeks of this personal tug-of-war, I'll see if I can put these thoughts in installments, not only because I think it would help me organize my ideas and hoping that it would be somewhat of an entertaining read, but to wrestle with issues dear to me and where I want to see us catapult in directions where I believe we (A Far Cry) can help bring music to people who feel uncomfortable and foreign to the idea of having to put on a dress shirt and a tie to go hear a classical show.

The internet has changed so many facets of our world as we've known it and even for music alone, it has completely changed the way we listen, explore, watch and buy. I meet kids during outreach residencies and witness instances of how fast they can text message each other and even the kind of "code" they use to communicate with each other. I mean, I'm not that far off from them if there was a generation gap, as I proudly put myself in that Generation X category, who saw the rise of independent artists such as Nirvana and Quentin Tarantino become household names, saw the birth of the internet, finished college in the years when the so called "MTV generation" was filtering into society to lay down the infrastructure for the I-pods and High-Def TV's to flourish in the average living room, and of course when things were a little more peaceful around the world. I may not be as fast using these products as the 12-year olds, but lets just say that I know a few people who helped actually invent these devices.

One of the things that sets A Far Cry apart from most other orchestras is not only the fact that we don't have a conductor, but that everyone in the group is in pretty much the same generation. One would see examples in a chamber music ensemble such as a string quartet or piano trio, of this being true, but from an ensemble the size of 15+ people, I think we are pretty unique in that way. Take any one of the big American orchestras for instance, where they will only hold an audition if there is a vacancy from 100 or so permanent positions, whether the person before either retired at the fruitful age of 75, or went into a different business wanting to become a conductor or write for the NY times food column. My point is that for an organization that is as venerable but traditional as a band like the New York Philharmonic, new blood trickles in and rarely comes in brigades. Plus the tenure process in these orchestras will mold the new members to fit into the one that has already been established, and for the last 126 years for instance, if it was the Boston Symphony Orchestra.

We are starting out new with 15 members who have grown up to see the becomings of Hip-Hop, but moreover ENJOY In Korea with Danny, August 2007 listening to Hip-Hop and can see the artistic merit in its art form. We are in the generation that doesn't get bashful to let loose when we hear bass and drums in common time, and not only have we seen rock shows but have played in them. And I think that's a really important point in furthering the cause of what we do. Because we want to play and perform for these people we meet at dance clubs, at poetry readings, at bars, at coffee houses, on the public transportation, those who are in our generation and love the same kind of music, movies, and live with similar good values. I was reading an article by Greg Sandow, a composer and former music critic of the Wall Street Journal, on his never mundane website. Sandow by the way, teaches a course at the Juilliard School called "Classical Music in the age of Pop" and is a progressive thinker who raises important questions about the state and trends of music, and gets us musicians thinking about where all this hooplah with the "biz" is going. Anyways, the article was about a big orchestra trying to reach out to a younger audience using flashy colors and coining hipper terms on their posters to attract them. Not that the programming was necessarily different, or exploring a venue to collaborate with artists (Why not Jay-Z or the National? They all live in nearby neighborhoods..) that could fill the house with a surge of young audiences, it was just the same old product wrapped in glitzier paper. A little superficial if you ask me.

People want contact. They want to meet the people they admire professionally and artistically, and when they do, want to feel comfortable around them and want to know what their favorite food is. Even in these recent weeks of the Baseball play-offs, one can go onto MLB.com and read blogs from the actual players like Kevin Youkilis of the Red Sox or Tony Clark of the Diamondbacks, (which by the way, I tip my hat off to MLB.com for opting to get the players to share their real thoughts), getting to find out a little more about their psyche, their games and their lives. And that's the kind of exposure people can relate to. Why can't an orchestra be more personable? I really believe that it needs to come from the musicians themselves WANTING to get to know their audience, from a person to person basis... Almost like a candidate running for congress for the first time, wanting to get to know his voters on a level beyond just face value. If I was working for a bigger company and my checks were coming in steadily without hassle, I wonder if I'd be all that motivated to go out and meet these people and get them excited about what I do. Well, I don't know...I think about that all the time.

It seems like with most things now a days, in order to find one's identity, the main conflict splits into that struggle between the individual and its government, mom & pops stores against the conglomerates, independents versus the established, the Republic against the Empire in the Star Wars sense, or David versus Goliath in the biblical sense. I'd say that A Far Cry would be an underdog...In the best sense of the word. And speaking of Baseball...the Red Hot Sox are back in the American League Championship Series to face the Cleveland Indians starting this Friday!!!

Announcing Guest Soloist Fenwick Smith

Fenwick Smith A Far Cry is delighted to announce that Fenwick Smith, a force in the Boston musical scene for the past 30+ years, has agreed to join the Criers in the G Major Flute Concerto by Quantz for our October 29th and 30th concerts!

Fenwick's impressive biography includes years of service with the Boston Symphony Orchestra, Boston Chamber Music Society, and New England Conservatory, as the distinguished chair of the woodwinds department. Visit fenwicksmith.com

Thank-you, Vermont!!

A Far Cry had an AMAZING weekend tour in Vermont last week. We arrived in five different cars at six different homes(Montpelier/Berlin) Thursday night. Some of us had engagements in Boston until the evening, so we didn't in until very late, but ALL of our hosts were so nice. On Friday morning, we met up with Karen Kevra at Vermont Public Radio, outside of Burlington and had a live spot on what is probably one of the most popular public radio stations in the country! We were a little nervous, mostly for the interview part, but it all went just fine. We had a great lunch hour on Church Street in Burlington and then piled in the cars to head to Middlebury. We arrived at the college and entered one of the most beautiful halls! After a quick photo shoot and dress rehearsal, we had dinner and then a concert. The audience there was great and we were particularly impressed and thankful to the people who stuck around afterwards to talk to us. We decided we should encourage that more during all of our concerts - we like to get to know our audience!

Saturday, we were treated to a lunch at the New England Culinary Institute's cafeteria and relaxed for the rest of the afternoon, most of us in the quiet luxury of Mr. and Mrs. Iron's house. In the evening, we had one of the most exciting concerts I've ever played and that was mostly because of the energy coming from the audience. There was something that night about the way we could communicate with the people sitting in there. It was joyfully packed, and although it was almost unbearably warm in there (how many of us saw the sweat dripping from Andrew's violin?!), there was a spirit like no other. That evening, we were treated to a nice reception, again by the Iron's, and returned home Sunday, tired and blissfully happy from the weekend. I had a special treat - my host took me on a hike, right in Montpelier, just before I left. Thank you, Leslie!

If any one is reading this who attended these concerts or other concerts of ours, even in Boston, we'd love to hear your comments! We encourage you to leave comments on this blog, or write to us!

On behalf of the Criers, thank you, thank you, everyone in Vermont! This will be our home away from home, for sure.

Sincerely,

Margaret

Who goes to UNO'S?

I have to say that going to school in Harvard square doesn't offer many choices for late night food after practicing until the building closes. Late night food in the square was limited to Charlie's Kitchen (home of the double Lobster roll), and Uno's Chicago Grill. I remember playing with a hockey team from Canada, that was treated to beer, chicken wings and Pizza from Uno's (as they were one of the tournament sponsors), and it was sooo satisfying to be eating after playing a few hours of hockey. They serve all sorts of food that have a very distinct aroma. Their selection of beers is average, but they definitely go down easy, and compliment their famous pizza the "Chicago Classic." It always sits well in my stomach, and the great part is that you can take it home if you can't finish (like in a plastic bag, with napkins of course) Well that is my plug for Uno's in Harvard Square if you happen to be there late when nothing else is open...or if you managed to find it at four in the morning (excluding Massachusetts)...yeah I go to UNO's

Riding the Wave

It really does seem like yesterday that I was gearing up to meet with a few other people for this "idea" for a chamber orchestra. Then, after a few weeks of organizing and setting up a first reading, I was in Prague, on vacation with my parents, and any time I met anyone new, this was all I could talk about. They wanted to know about my life as a grad student in Boston, and I responded with a starry-eyed description of the birth and potential of this nameless, conductorless chamber orchestra that I was starting with some of the most amazing people around. Here we are now, on the verge of our second full set of concerts.  We've been riding an exhilarating wave all the way here and honestly,  I could still talk about it all day long.  The buzz is clearly there - people are talking in Boston (and elsewhere), people are offering us help and advice,  and we're busy dividing tasks to carry us through the business aspect so we can be totally devoted to making music.

Spending this many hours with all or most of fifteen other strong personalities is, as a friend of our observed, like watching a social experiment.  I could definitely see that and I found it amusing, and then realized that I couldn't choose better people for this so-called experiment. We've become quite a family, which means getting personal and comfortable, and sometimes even a little grumpy, but in the end we still love each other.   We're all really excited for our concerts in Vermont this weekend.  Handel, Tchaikovsky, Part, and Quantz are all becoming our own and we're ready to share our dynamic and transcending interpretations with everyone else.   The character with which this all started remains with us and feeds the interaction in our playing and what transmits through the music.  How lucky I am to be a part of this....

Vermont! (we're coming)

We're getting ready for our first set of our first full season, and I am so happy we get to go to Vermont to do it! I'm starting to feel like Vermont is my second home. Every time I'm there I feel very grateful and inspired by the beauty around me.... and, Vermont also has the best farmer's markets! The last one I went to had delicious West African food!  But back to the concerts...well, really, first, we have to get there. We all have to leave at different times, so Margaret is trying to organize all the cars based on time of departure, space, and host family location. It's crazy, like so many things we're trying to learn how to do, but it'll be great. I think I'm in the leaving Very Very late Thursday night car, so I hope we have some good tunes!

Middlebury College Concert

We've managed to line up another appearance in Vermont! Thanks to the generous sponsorship of the Middlebury College Music Department, we will be able to present our first concert program at the Middlebury College Art Center Concert Hall on Friday September 21 at 8pm. The hall looks absolutely beautiful, and the word on the street is that the acoustic is spectacular as well. Check it out - we're on their calendar!